This layer offers you to through sediments of hyperlinks, events, and notes.
It serves as a replacement for my abandoned social media accounts.
You can also subscribe to my letter of news.
(08.11.2024)░░░░Provinzen im Zentrum is on view in the courtyard of Stadtgalerie Saarbrücken from 09.11.2024 until 16.02.2025. It is the first project of a new series on the history of the Saarland and it's post-industrial coal mining heritage. #
(20.10.2024)░░░
I had the opportunity with Media Studies students from Ruhr University Bochum to research in the Federal German Mining Archives. Our focus began with the small former coal-mining region of Saarland, which was twice independent from Germany and forms part of the nexus of the post-war European order. #
(19.10.2024)░░░░░
At Muthesius University of Fine Arts and Design in Kiel, I was invited to teach a course inspired by the unabgeschlossenes series, which combined lock picking techniques with my research into the history of keys, locks, and their connections to capitalist and colonial legacies. #
(30.08.2024)░░░Kunsthaus Dresden is currently showing Offener Prozess, along with the accompanying exhibition Belonging, which expands and responds to Offener Prozess's threads. Both shows are on display from Aug 31 - Nov 3, 2024. #
(24.04.2024)░░░░
Bubu Mosiashvili and Maxie Kiwitter invited me to contribute to the program accompanying Bubu's exhibition stories make worlds, worlds make stories at GAK Bremen. Bubu and I had a very inspiring talk with my during the opening and we continued with a session of lock picking the next day. A recording of the talk was published at publicsandpublishings.org#
(29.02.2024)░
I had the pleasure of working with a group of wonderful writers, editors and artists on protestperlen.net for Ulrike Bergermann's 60th Birthday. Protestperlen can be loosely translated to “Pearls of protest” and I was asked to develop a design and code for this fantastic project. #
(20.10.2023)░
A short presentation at Organization as a Medium of Contemporary Art,convened by Timon Beyes, Christoph Chwatal, and Sven Lütticken, hosted by Kunstraum der Leuphana Universität Lüneburg #
(22.07.2023)░░░░░░Sedimente einer größeren Geschichte commissioned by the Black Forest Institute of Art had its premiere at Freibad Kappel. The weather and the wind were kind to us. The radio waves flowed so smoothly through the air and we were happy for so many visitors to join us in this remote but refreshing location! #
(22.06.2023)
this website went live after a couple of months of playing, writing, coding, bugging, and debugging. #
(21.04.2022)░fag tips for Artists Space was released. it is a publication offered on the occasion of the exhibition Minor Publics by virgil b/g taylor at Artists Space in New York. i contributed a text as a responsive to a prompt by virgil. #
(26.02.2022)░░░░░░Wirbel, Wellen, Aufzeichnungen took place on a sunny afternoon. A special walk conceived with Research and Waves supported by the work of Timo Johannes, in the framework of Geographien der Unterbrechung. Using various microphones and recording devices, we walked across the former freight yard grounds and the exhibition, exploring various sound waves, radio waves and their interference. #
(21.01.2022)░░░
Geografien der Unterbrechung, eine Ausstellung, Galerie Herold Bremen #
(19.11.2021)░
a small selection of projects was shown at Prix d’Art Robert Schuman 2021 in Stadtgalerie Saarbrücken. On the occasion of the show, the poster untitled (leerflächen) was developed and distributed. #
(01.01.2020)░
an image chapter contribution to Beyond Repair, a book and an assembly of materials from an eponymous study gathering in Venice in 2019. The study gathering traced and linked irreversibly damaged and damaging conditions and spaces shaped by extractivism and accumulation. #
(26.04.2019)░░░░░Research and Waves released a 12 inch vinyl Transparencies (RAW[0.4,y,0.75]). Featuring work by Jasmina Al-Qaisi, Sam Conran, Patrick Cruz, Nicolás Gravel, Galina Kruzhilina, Louise Vind Nielsen and me. #
(01.01.2019)░Countermovements, a text on un/locking techniques, commissioned by Project Space Festival Berlin is published #
(01.01.2019)░
for Ankersentrum (surviving in the ruinous ruin), the publication accompanying Natascha Süder Happelmann’s contribution for the German Pavilion at the 58th Venice Biennale, I wrote a text with Seda Naiumad and Felix Meyer on Mobile Border Regimes of Accumulation. #
(01.01.2019)
Un/Stimmigkeiten knacken, FeldFünf, Berlin (Performance/Workshop) #
I work . I like to take strolls between disciplines, fields and ways of working. Some of these ways of working involve arranging in . This can happen .
This website is an attempt to engage with the that come into play during these ways of working. It has three different layers, and you can switch between them using the controller below.
This is the about layer. The sediments layer offers you to through a debris of hyperlinks, events, and notes. The index layer offers a certain kind of overview of projects. This overview can be transformed using different sorting algorithms. The controller offers sorting based on .
Most of the content here is , depending on the context of the respective project. If you would like to get in touch, send me an email to in one of these languages using .