2019, Audio, 05:20 Min
Released on Transparencies / RAW [0.4,y,0.75]
comissioned and released by Research and Waves
in collaboration with Nicolás Rosero and Carlos Pablo Villamizar
Mastering: Normann Neumann
A heartfelt thank you to Gustavo Mendez Lopez, Maria Karpushina, Nicolás Rosero, Dorina San Luis and Elard Lukaczik
Shown at:
RAW[0.4,y,0.75] α - Transparencies: Prelude I, Galerie Mitte im Kubo, Bremen, 2018
RAW[0.4,y,0.75] β - Transparencies: Prelude II, FeldFuenf, Berlin, 2019
RAW[0.4,y,0.75] - Transparencies, FeldFuenf, Berlin, 2019
Text sources:
–
[In English] Altered text excerpts from Claire Fontaine – Some Instructions for the Sharing of Private Property, 2011
with in return text excerpts from
–
Ted the Tool – MIT Guide to Lock Picking, 1991
–
CIA Lock Picking: Field Operative Training Manual, Unknown Origin
–
[In German] Altered text excerpts from Gebrüder Grimm – Bremer Stadtmusikanten, 1819
with in return altered text excerpts from
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Oral fairy tale Bremer Stadtmusikanten, Unknown time (multiple versions)
Recorded at:
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Ehemaliger Güterbahnhof, Bremen / Former goods station, Bremen
–
Hochschule für Künste im Hafen Speicher XI, Überseestadt, Bremen /
University of the Arts in the Waterfront Warehouse XI, Überseestadt, Bremen
–
Baumwollbörse, Bremen / Cotton Exchange, Bremen
This is the website of Fritz Laszlo Weber. I work as and like to take strolls between disciplines, fields and ways of working. Some of these ways of working are arranging in . This can be .
I feel a certain unease with the form of a Curriculum vitae, both written and tabular, and its implications. This website and especially the index of projects is a renewed attempt to engage with that unease. So that find a place in this website, too. You can the index of projects the controllers below and see how the data shapes into different forms.
If you would like to get in touch with me, send an email. I speak on a conversational level. You can use pronouns.
Thanks for the visit. ↺